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SIGHT AND SOUND
aka "Sight & Sound"
General, Mainstream Monthly Magazine from London ,United Kingdom

- First issue: 1991
- General cinema.
- Took its present form in May 1991 with the incorporation of Monthly Film Bulletin. Prior to that it was published quarterly.
- Half the magazine contains great articles on various topics and the other half has the film reviews for the contemporary releases. I especially like the full synopsis given for every movie: No surprises when you 're watching The Crying Game for the first time.
- Published by the British Film Institute.
- Monthly, 70 colour pages in A4 format.
- Published by British Film Institute (BFI)
- Website: www.bfi.org.uk

Last updated:
1 January 2024
(see recent updates)

Special thanks for this page goes to:
Garry Malvern
Grace
Scott Matheson
Gary
Allan

COVERS FOUND & MISSING

Info from the Database

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CONTENTS: 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

GALLERIES: 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

Issue 176
December 2005

Script Special: The Man Who Wasn't There: Eliot Stannard wrote Hitchcock's ?rst ?lms and produced one of the earliest screenwriter's manuals. Michael Eaton heralds a forgotten pioneer of British cinema
Songs For Swinging Lovers: A lurid look at the da

Issue 175
November 2005

Kiss Kiss Bang Bang: Edward Lawrenson on a thriller that takes a knowing look at Hollywood
Good Night And Good Luck: Geoffrey Macnab on George Clooney's tribute to speaking your mind
The Death Of Mr Lazarescu: Mark Cousins on death in Bucharest

Issue 174
October 2005

Castles In The Sky: Veteran animator Hayao Miyazaki's new film Howl's Moving Castle draws on motifs from his past work and anime's longstanding fascination with children's literature, writes Andrew Osmond.
School For Scandal: Dealing with an all-girls

Issue 173
September 2005

The Storyteller: Ian Christie explains how Michael Powell's unfinished fantasia of 1973 moves between the imagined and reality, scrolling through his life and loves with wit and sensuality.
Edinburgh 2005: The Sun: Aleksandr Sokurov's new film is an u

Issue 172
August 2005

Edinburgh Cringe: Festival is a freewheeling Altmanesque comedy about the Edinburgh Fringe festival. So how come it's funny and tragic and romantic all at once? Director Annie Griffin, creator of television's The Book Club, knows how. All comedians 'are l

Issue 171
July 2005

Funny Peculiar: Bald, gangly and nervous-looking, Alastair Sim was one of British cinema's great eccentrics. And among its finest actors, argues Michael Brooke.
Geometry Of Feelings: Alain Delon and Monica Vitti adorn L'eclisse, a chilly, formally dar

Issue 170
June 2005

The Godard Interview: I, A Man Of The Image: The upbeat mood of Godard's Notre musique, in which war is hell, Sarajevo a purgatory and heaven a lakeside idyll, was not built to last. 'It's exhausted,' the director tells Michael Witt.
The Fickle Finger

Issue 169
May 2005

Only Human: Douglas Adams' surreal SF comedy Hitchhiker's Guide to the Galaxy was a huge cult success as a radio series, a TV show and a novel. But does the long-awaited film adaptation work, asks Andrew Osmond. Plus its director-producer team talk to Edw

Issue 168
April 2005

Tell It To The Camera: Jonathan Caouette's Tarnation stitches together home movies from his childhood onwards into a no-budget documentary of wrenching emotional honesty and visual power. B. Ruby Rich reports.
Theatre of Complicity: Catherine Deneuve

Issue 167
March 2005

Lesser Spotted Fish And Other Stories...: Wes Anderson's The Life Aquatic with Steve Zissou charts the problems of an autocratic, obsessive director. 'It's not based on me,' he promises Kevin Conroy Scott. Plus Ali Jaafar explores the underwater world of

Issue 166
February 2005

Red, White And Brew: In Sideways Alexander Payne follows two emotionally retarded middle-aged men around the Californian vineyards. But how does he make us like them, asks Mark Salisbury.
Muscular Contractions: Sex scenes are a matter of letting the a

Issue 165
January 2005

So Many Moustaches!: A cache of films by Edwardian company Mitchell & Kenyon brings to life the ghosts of a lost world. Nick James watches in wonder.
Fly Guy: In the The Aviator Martin Scorsese pays tribute to Howard Hughes and Hollywood's golden age.

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